Sable, Trudy. 1998. Multiple Layers of Meaning in the Mi’kmaw Serpent Dance. In Papers of the 28th Algonquian Conference. University of Manitoba: 329-340.
Schmidt, David L. and Murdena Marshall. 1995. Mi’kmaq hierogyphic prayers: Readings in North America’s first Indigenous script. Halifax: Nimbus Publishing.
Smith, Gordon. 1994. Lee Cremo: Narratives About a Micmac Fiddler. In Beverley Diamond and Robert Witmer (eds.) Canadian Music: Issues of Hegemony and Identity: 541-56. Toronto: Canadian Scholars’ Press.
—, and Kevin Alstrup. 1995. Words and music by Rita Joe: Dialogic ethnomusicology. Canadian Journal For Traditional Music: 23.
Tulk, Janice Esther. 2008. “Our Strength Is Ourselves”: Identity, Status and Cultural Revitalization Among the Mi’kmaq in Newfoundland. PhD Diss. Memorial University.
—. 2007. Cultural Revitalization and Mi’kmaq Music-making: Three Drum Groups. Newfoundland and Labrador Studies 22(1): 259-86.
—. 2005. Commodification of Native American Spirituality: ‘Native American’ tarot and divination cards. Culture & Tradition 27: 37-55.
—. 2004. Awakening to Medicine Dream: Contemporary Native Music from Alaska with Newfoundland Roots. Canadian Folk Music Bulletin 38(3): 1-10.
—. 2004. In Review: Music of the Eastern Eagle Singers. Culture & Tradition 26: 147-49.
—. 2003. Medicine Dream: Contemporary Native Music and Issues of Identity. Master’s Thesis, University of Alberta.
Usmiani, Renate (coordinator). 1995. Kelusultiek: original women’s voices of Atlantic Canada. Halifax: Institute for the Study of Women, Mount Saint Vincent University.
von Rosen, Franziska. 1998. Music, visual art, stories: Conversations with a community of Micmac artists. PhD Diss. Brown University.
Whitehead, Ruth Holmes, and Nova Scotia Museum. 1988. Six Micmac Stories. Halifax: Nova Scotia Museum.
Whitehead, Ruth Holmes, and Harold McGee. 1983. The Micmac: How Their Ancestors Lived Five Hundred Years Ago. Halifax: Nimbus.
Whitehead, Ruth Holmes. 1982. Micmac Quillwork: Micmac Indian techniques of porcupine quill decoration, 1600-1950. Halifax: Nova Scotia Museum.
—. 1980. Elitekey: Micmac material culture from 1600 AD to the present. Halifax: Nova Scotia Museum.
Campbell, John Lorne. 1990. Songs Remembered in Exile. Aberdeen: Aberdeen University Press.
Caplan, Ronald, ed. 2006. Talking Cape Breton Music: Conversations with People Who Love and Make the Music. Wreck Cove, NS: Breton Books.
Creighton, Helen, and Calum MacLeod. 1979. Gaelic Songs in Nova Scotia Ottawa: National Museums of Canada
Dembling, Jonathan. 2005. You Play It as You Would Sing It: Cape Breton, Scottishness, and the Means of Cultural Production. In Transatlantic Scots, ed. Celeste Ray, 180-197. Tuscaloosa: University of Alabama Press.
Dunn, Charles. 1991 . Highland Settler: A Portrait of the Scottish Gael in Cape Breton and Eastern Nova Scotia. Wreck Cove, Nova Scotia: Breton Books.
Fergusson, Donald A. 1977. Beyond the Hebrides. Halifax: D.A. Fergusson.
MacDonald, Dan Alex. 1986. Songs From Framboise: collected by his daughter Eunice Lively. Framboise, NS: privately published.
MacDonald, Marilyn. 1988-89. Milling Frolics on the North Shore: A Look at the Past, Present and Future. Sydney, Cape Breton. Beaton Institute: Reports – Culture.
MacDonell, Margaret. 1982. The Emigrant Experience: Songs of Highland Emigrants in North America. Toronto: University of Toronto Press.
Pease, Thomas H. 2006. Gaelic Music of Cape Breton Island: The Last Fifteen Years. Notes 63/2: 401-417.
Rankin, Effie. 2004. As a’ Bhràighe/Beyond the Braes: The Gaelic Songs of Allan the Ridge MacDonald, 1794-1868. Sydney, NS: University College of Cape Breton Press.
Roden, Christina. 1998. Mary Jane Lamond – Cape Breton’s Reluctant Gaelic Diva. Accessed May 31 2010. Available from RootsWorld.com.
Shaw, John. 1992-93. Language, Music and Local Aesthetics: Views from Gaeldom and Beyond. Scottish Language 11/12: 37-64.
Shaw, John, ed. 2000. Brìgh an Òrain. Montreal and Kingston: McGill-Queen’s University Press.
Sparling, Heather. 2008. Categorically Speaking: Towards a Theory of (Musical) Genre in Cape Breton Gaelic Culture. Ethnomusicology 52/3: 401-25.
—. 2008. Grist for the Tourist Mill: Tourists in Gaelic Milling Frolics in Cape Breton, Nova Scotia. In Refereed Papers from the Third International Small Islands Culture Conference, ed. Irené Novaczek, 94-100: Small Island Cultures Research Initiative.
—. 2007. Transmission Processes in Cape Breton Gaelic Song Culture. In Folk Music, Traditional Music, Ethnomusicology: Canadian Perspectives, Past and Present, ed. Anna Hoefnagels and Gordon E. Smith, 13-26. Newcastle: Cambridge Scholars Publishing.
—. 2005. Song Genres, Cultural Capital and Social Distinctions in Gaelic Cape Breton. PhD Diss. York University.
—. 2003. “Music is Language and Language is Music”: Language Attitudes and Musical Choices in Cape Breton, Nova Scotia. Ethnologies 25/2: 145-171.
—. 2000. Puirt-a-Beul: An Ethnographic Study of Mouth Music in Cape Breton, Nova Scotia. MA Thesis, York University.
—. 2000. Mitigating or Marketing Culture? Promoting Mouth Music in Cape Breton, Nova Scotia. Canadian Journal for Traditional Music 27: 1-9.
O’Donnell, John C. 2001. Music as an Expression of Culture in the Mining Communities of Cape Breton Island. Canadian Issues Aug/Sept: 29.
—. 1993. Join the Union or You’ll Die. Canadian folklore Canadien 14(2).
—. 1992. And Now The Fields Are Green: A Collection of Coal Mining Songs in Canada. Sydney, NS: University College of Cape Breton Press.
—. 1988. Contributions of American Folklorists to Research in Canadian Coal Mining Songs. In Dorothy E. Moore and James Morrison (eds.) Work, Ethnicity, and Oral History: International Education Centre Issues in Ethnicity and Multiculturalism Series, No. 1
—. 1985. Industrial Songs as Part of a Culture. International Journal of Music Education 6(1): 7-11.
—. 1985. The Men of the Deeps in Kosovo. Nova Scotia Choral Federation Newsletter 24(3).
—. 1985. Towards a Collection of Coal Mining Songs in Canada. Canadian Folk Music Journal 6(1): 7-11.
—. 1984. Blackleg Miners in Cape Breton. Canada Folk Bulletin 18(3): 1-4.
—. 1984. Labour’s Cultural Impact on the Community. Canadian Folk Music Journal.
Thomas, Amby, and Ron MacEachern. 1979. Songs and stories from Deep Cove, Cape Breton. Sydney, College of Cape Breton Press.